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	<title>Louisiana Music Directory &#187; Tricky</title>
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		<title>Walk it Like you Talk It?</title>
		<link>http://www.louisianamusicdirectory.com/blog/index.php/2008/07/31/walk-it-like-you-talk-it/</link>
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		<pubDate>Thu, 31 Jul 2008 20:07:42 +0000</pubDate>
		<dc:creator>Alex Rawls</dc:creator>
				<category><![CDATA[Pop Life]]></category>
		<category><![CDATA[Gabe Dixon Band]]></category>
		<category><![CDATA[Tricky]]></category>

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		<description><![CDATA[In my post on the Gabe Dixon Band, I wished that there was a little more at stake in his music, and that the moderateness of it made the album seem as if nothing was at stake. I understand the sensible nature of the music; it must be tough to live when you spend your [...]]]></description>
			<content:encoded><![CDATA[<p>In my post on the Gabe Dixon Band, I wished that there was a little more at stake in his music, and that the moderateness of it made the album seem as if nothing was at stake. I understand the sensible nature of the music; it must be tough to live when you spend your life worried about hit-level sales. I suspect that many of us would end up like Britney in the armoire if we experienced some of the pressures she&#8217;s dealt with.</p>
<p>This comesÂ to mindÂ listening to Tricky&#8217;s <em>KnowleÂ West Boy</em>.Â The album sounds outflanked by time, and M.I.A. and Dizzee Rascal immediately came to mind as artists inÂ more dangerous or more progressive places &#8211; the places Tricky once occupied.Â Particularly absent is the murk and ickiness of <em>Maxinquaye</em> and the albums that followed it, and while it must be easier to live in a less dour, self-consciouslyÂ outrageous place, the music lacks urgency and edge. The trade-off makes sense &#8211; theÂ emotionally exhausting, high riskÂ short termÂ for a long haul you get to enjoy &#8211; butÂ the loss of edge is a tough loss. Â Â Â Â </p>
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